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style="display:none; font-size:0px; line-height:0px; max-height:0px; max-width:0px; opacity:0; overflow:hidden; visibility:hidden; mso-hide:all;">Book
now for The Outrun, Joker: Folie a Deux, Beetlejuice
Beetlejuice, Despicable Me 4, The Room Next Door, Lee, and Since
Yesterday.</span><!--<![endif]-->
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Machine Programme</span></h4>
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size="5">Stronsay,
Community Hall</font></h4>
<div
style="text-align: left;color: #505050;font-family: Arial;font-size: 14px;line-height: 150%;"> </div>
<strong><span
style="color:#000000">SAVE
OUR SCREEN MACHINE<br>
Without urgent investment,
the Screen Machine service
will end. Please consider
donating to secure its
long-term future. You can
donate and learn more
about our fundraising
campaign at: <a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=1e5804e541&e=5e77b5da1b"
target="_blank"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">www.crowdfunder.co.uk/p/save-our-screen-machine</a></span></strong><br>
<br>
<strong><span
style="color:#000000">You
can also add a £5 or £1
donation to your ticket
when you book online. All
donations will go towards
building our new mobile
cinema.</span></strong><br>
<br>
<strong><span
style="color:#0000CD">Beetlejuice
Beetlejuice</span> </strong>(Sat
16 at <strong>4.30pm</strong>)<em>
</em><span
style="color:#000000"><strong><em>“surpasses
the original in almost
every respect”</em></strong>
BBC</span><br>
<br>
<font color="#0000cd"><strong>Joker:
Folie a Deux </strong></font>(Sat
16 at <strong>7.30pm</strong>) <span
style="color:#000000"><em><strong>“just
as edgy and disturbing
as its forerunner”</strong> </em>The
Independent</span><br>
<br>
<strong><span
style="color:#0000CD">Despicable
Me 4</span> </strong>(Sun
17 at <strong>2pm</strong>) <span
style="color:#000000"><strong><em>"a
superb mix of slapstick
action, family-based
comedy and blissful
silliness"</em></strong> Shadows
on the Wall</span><br>
<br>
<font color="#0000cd"><strong>The
Outrun </strong></font>(Sun
17 at<strong> 5.30pm</strong>)<em
style="background-color:transparent; color:#000000; font-family:arial; font-size:11pt; font-style:italic; font-variant:normal; font-weight:700; text-decoration:none; vertical-align:baseline; white-space:pre-wrap"> </em><span
style="color:#000000"><em><strong>“An
avid and emotional movie
that pulls you right
along”</strong></em>
Variety</span><br>
<span style="color:#0000CD">Featuring
an introduction by Amy
Triptot and producer Sarah
Brocklehurst.<br>
Contains flashing images
which may affect viewers who
are susceptible to
photosensitive epilepsy.</span><br>
<br>
<font color="#0000cd"><strong>Since
Yesterday: The Untold
Story of Scotland's Girl
Bands </strong></font>(Sun
17 at<strong> 8.30pm</strong>) <span
style="color:#000000"><em><strong>“This
fascinating documentary
highlights a sexist,
London-centric music
industry”</strong> </em>NME</span><br>
<br>
<font color="#0000cd"><strong>Lee </strong></font>(Mon
18 at<strong> 5.30pm <span
style="color:#0000CD">(captioned)</span></strong>) <span
style="color:#000000"><em><strong>“A
satisfyingly textured
portrait of a remarkable
and unusual woman”</strong>
</em>Total Film</span><br>
<span style="color:#0000CD">Captioned
for the deaf and hard of
hearing.</span><br>
<span style="color:#0000CD">We
will screen the short film <em>Shadowplay</em>
(7 mins) before the main
feature</span><span
style="color:#000000">.</span><br>
<br>
<font color="#0000cd"><strong>The
Room Next Day </strong></font>(Mon
18 at<strong> 8.30pm</strong>) <span
style="color:#000000"><em><strong>“Almodóvar’s
discourse on death is
teeming with life.”</strong>
</em>Total Film</span><br>
<br>
<strong>Book online at <a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=57ef93bde9&e=5e77b5da1b"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">www.screenmachine.co.u</a></strong><a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=e5c68b6ff0&e=5e77b5da1b"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">k</a><br>
When booking please be very
careful to buy the right
tickets for the right location
on the right date, as mistakes
cannot be rectified later.
There is a 50p booking fee per
ticket.<br>
<br>
For the latest updates follow
us on <strong>Facebook (<a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=57a70c7570&e=5e77b5da1b"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">thescreenmachine</a>),</strong> <strong>Twitter
(<a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=eb84e5216f&e=5e77b5da1b"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">screen_machine</a>),</strong> and
on <strong>Instagram</strong> <strong>(</strong><a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=03fb12f52b&e=5e77b5da1b"
target="_blank"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">@screenmachine</a><strong>)</strong>.<br>
<br>
<strong>Please note that
alcohol and hot food are not
allowed.</strong></div>
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style="border-collapse: collapse;background-color: #FFFFFF;" width="280"
valign="top">
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<table width="100%" cellspacing="0"
cellpadding="20" border="0">
<tbody>
<tr mc:repeatable="repeat_1"
mc:repeatindex="0">
<td
style="border-collapse: collapse;" valign="top"> <img
src="https://mcusercontent.com/481366d61828cfc0003c856c2/images/6d6ec13e-ec97-0759-7d03-5a276ec2508a.jpg"
alt=""
style="margin: 0;padding: 0;max-width: 260px;border: 0;height: auto;line-height: 100%;outline: none;text-decoration: none;display: inline;"
moz-do-not-send="true"
width="260" border="0">
<div
style="color: #505050;font-family: Arial;font-size: 14px;line-height: 150%;text-align: left;">
<h4 class="h4"
style="color: #202020;display: block;font-family: Arial;font-size: 22px;font-weight: bold;line-height: 100%;margin-top: 0;margin-right: 0;margin-bottom: 10px;margin-left: 0;text-align: left;">Despicable
Me 4</h4>
<span style="color:#000000">(U)
103 mins<br>
Director: Chris Renaud<br>
Cast: Steve Carell, Kristen
Wiig, Will Ferrell, Pierre
Coffin, Joey King, Sofía
Vergara, Steve Coogan<br>
Watch the trailer <a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=3e02384fbb&e=5e77b5da1b"
target="_blank"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">here</a><br>
Read the BBFC report <a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=36863d4d58&e=5e77b5da1b"
target="_blank"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">here</a><br>
<br>
Having turned his back on
his supervillain ways, Gru
is now happily married to
Lucy Wilde as they raise
their children (and the
Minions) in suburbia. But
the family must enter the
witness protection programme
when Maxime Le Mal, an old
supervillain rival of Gru’s,
plans to conquer the world
by turning everyone into
cockroaches. Due to an old
grudge, he specifically
wants to transform Gru and
Lucy’s son, Gru Jr.<br>
<br>
Trying to live the incognito
life under a new name, Gru
and his family (and the
Minions) must adapt to their
new surroundings, all while
hoping to evade and stop
Maxime from enacting his
cruel plans.<br>
<br>
Featuring the manic and
chaos-prone Minions, this
latest entry in the lauded <strong><em>Despicable
Me</em></strong>
franchise is a rollercoaster
of slapstick family humour
and silly gags.<br>
<br>
<strong><em>“a superb mix of
slapstick action,
family-based comedy and
blissful silliness,
peppered with witty
references to a range of
movies”</em></strong>
Shadows on the Wall<br>
<br>
<strong><em>“Offering heart
and Minion-induced
hilarity, this is
another solid – if
familiar – entry in the
Despicable saga”</em></strong>
Total Film<br>
<br>
<strong><em>“stuffed to the
gills with jokes”</em></strong>
Screen International<br>
<br>
U: very mild comic violence,
threat, language, rude
humour</span></div>
</td>
</tr>
<tr mc:repeatable="repeat_1"
mc:repeatindex="1">
<td
style="border-collapse: collapse;" valign="top"> <img
src="https://mcusercontent.com/481366d61828cfc0003c856c2/images/7f14d688-ed6d-4eff-7a1c-dbb7d58b7fcd.jpg"
alt=""
style="margin: 0;padding: 0;max-width: 260px;border: 0;height: auto;line-height: 100%;outline: none;text-decoration: none;display: inline;"
moz-do-not-send="true"
width="260" border="0">
<div
style="color: #505050;font-family: Arial;font-size: 14px;line-height: 150%;text-align: left;">
<h4 class="h4"
style="color: #202020;display: block;font-family: Arial;font-size: 22px;font-weight: bold;line-height: 100%;margin-top: 0;margin-right: 0;margin-bottom: 10px;margin-left: 0;text-align: left;">Joker:
Folie a Deux</h4>
<span style="color:#000000">(15)
138 mins<br>
Director: Todd Phillips<br>
Cast: Joaquin Phoenix, Lady
Gaga, Zazie Beetz, Brendan
Gleeson, Catherine Keener<br>
Watch the trailer <a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=34605913f3&e=5e77b5da1b"
target="_blank"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">here</a><br>
Read the BBFC report <a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=aa6a66a117&e=5e77b5da1b"
target="_blank"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">here</a><br>
<br>
Arthur Fleck is on trial for
his deadly murder spree as
Joker that inspired
disaffected citizens to
violently riot across
Gotham. His lawyer hopes an
insanity plea will provide
Arthur with the help he
needs, while the ambitious
new district attorney,
Harvey Dent, is determined
to convict Fleck no matter
what so he can boost his
name and profile.<br>
<br>
In Arkham Asylum, Arthur
bonds with fellow inmate
Harleen Quinzel during
musical therapy. Falling
head over heels for each
other, the two express their
heady love through
fantastical musical numbers.
As Arthur embraces these
potent shared delusions, he
starts to wonder whether he
should disregard his
lawyer’s advice and fully
embody his homicidal Joker
persona.<br>
<br>
Joaquin Phoenix and Lady
Gaga give strong, raw
performances in this sequel
to the multi award-winning <em><strong>Joker</strong></em>.
Like its predecessor, it
evokes the grim and dark
tones of Martin Scorsese’s
earlier work, but adds an
unsettling musical twist as
its characters blur the line
between reality and violent
fantasy.<br>
<br>
<strong><em>“just as edgy
and disturbing as its
forerunner, replicating
the idea of modern
American cities as
terrifying powder kegs
perpetually on the cusp
of explosion.”</em></strong>
The Independent<br>
<br>
<em><strong>“It’s a sad,
pensive, and
impressively odd motion
picture that uses the
theatricality of movie
musicals to undermine
its hero’s ambitions
instead of elevating
them.”</strong></em>
TheWrap<br>
<br>
<em><strong>“As sweet and
beguiling a musical
romance as it’s possible
to have between two
murderous psychopaths.”</strong></em>
Empire<br>
<br>
<em><strong>“that rare
sequel that meets – if
not surpasses – the
quality of its
predecessor”</strong></em>
Metro<br>
<br>
15: strong violence,
language, brief sex</span></div>
</td>
</tr>
<tr mc:repeatable="repeat_1"
mc:repeatindex="2">
<td
style="border-collapse: collapse;" valign="top"> <img
src="https://mcusercontent.com/481366d61828cfc0003c856c2/images/0240ada8-7541-e335-eb07-3102b5927d28.jpg"
alt=""
style="margin: 0;padding: 0;max-width: 260px;border: 0;height: auto;line-height: 100%;outline: none;text-decoration: none;display: inline;"
moz-do-not-send="true"
width="260" border="0">
<div
style="color: #505050;font-family: Arial;font-size: 14px;line-height: 150%;text-align: left;">
<h4 class="h4"
style="color: #202020;display: block;font-family: Arial;font-size: 22px;font-weight: bold;line-height: 100%;margin-top: 0;margin-right: 0;margin-bottom: 10px;margin-left: 0;text-align: left;">Lee</h4>
<span style="color:#000000">(15)
117 mins<br>
Director: Ellen Kuras<br>
Cast: Kate Winslet, Marion
Cotillard, Andrea
Riseborough, Andy Samberg,
Noémie Merlant, Josh
O'Connor, Alexander
Skarsgård<br>
Watch the trailer <a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=f5d171f2b6&e=5e77b5da1b"
target="_blank"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">here</a><br>
Read the BBFC report <a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=6ea09b45d4&e=5e77b5da1b"
target="_blank"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">here</a></span><br>
<br>
<strong><span
style="color:#0000CD">Captioned
for the deaf and hard of
hearing.</span></strong><br>
<br>
<span style="color:#0000CD"><strong>We
will screen the short film
<em>Shadowplay</em> (7
mins) by Street Level
Photoworks before the main
feature.</strong></span><br>
<br>
<span style="color:#000000">Upon
the outbreak of World War 2,
former model Lee Miller
signs up to be a
photojournalist for Vogue
Magazine. The growing
conflict is a world away
from the excess and luxury
of Lee’s previous career,
but her time as a model has
taught her the transactional
power of photography,
allowing her to capture
striking images with details
most of her male
counterparts can’t see.<br>
<br>
Despite this, Lee struggles
to be taken seriously, and
must fight for her place on
the frontlines. Alongside
fellow photojournalist and
friend David E. Scherman,
she is determined to
document the terrible cost
of the conflict. As the
Nazis retreat and she
ventures deeper into Europe,
she bears witness to the
horror and atrocities of war
and the Third Reich.<br>
<br>
Kate Winslet gives a
compelling performance as
the tough and magnetic
model-turned-photographer
Lee Miller. Based on her
remarkable life, this
sobering biographical drama
tells the incredible story
of a unique and brave woman
who used her talents to
convey the brutal nature of
war to the world at large.<br>
<br>
<strong><em>“a handsomely
made, moving biopic of a
subject who deserves to
be honoured — with
stellar chemistry and
performances from Kate
Winslet and Andy
Samberg”</em></strong>
Empire<br>
<br>
<em><strong>“A satisfyingly
textured portrait of a
remarkable and unusual
woman”</strong></em>
Screen International<br>
<br>
<em><strong>“Winslet
powerfully conveys
Miller’s tough-broad
magnetism”</strong></em>
The Guardian<br>
<br>
<em><strong>“one of
Winslet's best roles”</strong></em>
Kermode and Mayo’s Take<br>
<br>
15: Holocaust images, strong
language, sexual violence,
brief injury detail</span></div>
</td>
</tr>
</tbody>
</table>
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cellpadding="20" border="0">
<tbody>
<tr mc:repeatable="repeat_2"
mc:repeatindex="0">
<td
style="border-collapse: collapse;" valign="top"> <img
src="https://mcusercontent.com/481366d61828cfc0003c856c2/images/9df7f933-1393-3fcd-2c5e-8847f3acddb9.jpeg"
alt=""
style="margin: 0;padding: 0;max-width: 260px;border: 0;height: auto;line-height: 100%;outline: none;text-decoration: none;display: inline;"
moz-do-not-send="true"
width="260" border="0">
<div
style="color: #505050;font-family: Arial;font-size: 14px;line-height: 150%;text-align: left;">
<h4 class="h4"
style="color: #202020;display: block;font-family: Arial;font-size: 22px;font-weight: bold;line-height: 100%;margin-top: 0;margin-right: 0;margin-bottom: 10px;margin-left: 0;text-align: left;">Beetlejuice
Beetlejuice</h4>
<span style="color:#000000">(12A)
105 mins<br>
Director: Tim Burton<br>
Cast: Michael Keaton, Winona
Ryder, Jenna Ortega,
Catherine O'Hara, Justin
Theroux, Monica Bellucci,
Willem Dafoe<br>
Watch the trailer <a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=3ca46e0fbf&e=5e77b5da1b"
target="_blank"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">here</a><br>
Read the BBFC report <a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=bc07e3beae&e=5e77b5da1b"
target="_blank"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">here</a><br>
<br>
36 years after she nearly
married the bio-exorcist
Betelgeuse, AKA Beetlejuice,
Lydia Deetz is now a
supernatural talk show host,
produced by her arrogant
boyfriend, Rory. As she
begins to see visions of
Betelgeuse, she must return
to Winter River to attend
her father’s funeral.<br>
<br>
After the funeral, Lydia
reluctantly accepts a
marriage proposal from Rory,
causing her estranged
daughter Astrid to run off
in distress. Astrid
encounters a mysterious man
who is revealed to be a
ghost trying to return to
the land of living. After
Astrid journeys with him
into the afterlife, Lydia
discovers startling details
about the man. Lydia must
call on Betelgeuse to save
her daughter, but there is
one thing he wants in return
- her hand in marriage.<br>
<br>
Your favourite bio-exorcist
is back to cause more chaos
and hijinks to the land of
the living in this
hilarious, long-awaited
sequel to the cult classic <em><strong>Beetlejuice</strong></em>.<br>
<br>
<em><strong>“A
better-than-expected
legacy sequel with its
heart in the right
place.”</strong></em>
Slate<br>
<br>
<strong><em>"Beetlejuice
Beetlejuice is pure
Burton, passionate,
untethered, and
indulgent. Fans of the
original movie will have
plenty of reason to
cheer, and even more to
cackle.”</em></strong>
Mashable<br>
<br>
<em><strong>“surpasses the
original in almost every
respect”</strong></em>
BBC<br>
<br>
12A: moderate horror, gore,
violence, sex, drug
references, language</span></div>
</td>
</tr>
<tr mc:repeatable="repeat_2"
mc:repeatindex="1">
<td
style="border-collapse: collapse;" valign="top"> <img
src="https://mcusercontent.com/481366d61828cfc0003c856c2/images/356a7428-3348-b125-d7b2-e6bec24479d0.jpeg"
alt=""
style="margin: 0;padding: 0;max-width: 260px;border: 0;height: auto;line-height: 100%;outline: none;text-decoration: none;display: inline;"
moz-do-not-send="true"
width="260" border="0">
<div
style="color: #505050;font-family: Arial;font-size: 14px;line-height: 150%;text-align: left;">
<h4 class="h4"
style="color: #202020;display: block;font-family: Arial;font-size: 22px;font-weight: bold;line-height: 100%;margin-top: 0;margin-right: 0;margin-bottom: 10px;margin-left: 0;text-align: left;">The
Outrun</h4>
<span style="color:#000000">(15)
118 mins<br>
Director: Nora Fingscheidt<br>
Cast: Saoirse Ronan, Paapa
Essiedu, Nabil Elouahabi,
Izuka Hoyle, Lauren Lyle,
Saskia Reeves, Stephen
Dillane<br>
Watch the trailer <a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=23900d33e4&e=5e77b5da1b"
target="_blank"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">here</a><br>
Read the BBFC report <a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=d978d5a6b1&e=5e77b5da1b"
target="_blank"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">here</a></span><br>
<br>
<strong><span
style="color:#0000CD">Featuring
an introduction by Amy
Triptot and producer Sarah
Brocklehurst.<br>
<br>
Contains flashing images
which may affect viewers
who are susceptible to
photosensitive epilepsy.</span></strong><br>
<br>
<span style="color:#000000">Rona
is an alcoholic who has
lived a life of excess in
London. Following the end of
her relationship, she loses
herself in her addiction
until a violent encounter
leads to her entering rehab.
In an effort to maintain her
sobriety, she returns to her
home in Orkney. There she
clashes with her religious
mother and works on her
father’s farm, helping him
through his bipolar
episodes.<br>
<br>
Struggling to adjust to her
sober life, Rona moves to
the more remote Papa
Westray, where the wild
beauty of the island
contrasts with her fractured
memories of London. As past
and present converge, Rona
connects with both herself
and her surroundings, and
finally starts to see a
future worth living one day
at a time.<br>
<br>
Based on Amy Liptrot’s
memoir of the same name,
Saoirse Ronan gives a
powerful and emotional
performance in this moving
drama about addiction and
generational trauma. Filmed
on Orkney, the islands are
depicted in stunning
visuals.<br>
<br>
<strong><em>“An exceptional
performance from Saoirse
Ronan powers this
affecting, slow-moving
drama about addiction
and hope.</em></strong>”
Total Film<br>
<br>
<strong><em>“Saoirse Ronan
is remarkable in a
sensitive recovery
drama”</em></strong> The
Guardian<br>
<br>
<strong><em>“a stirring
reminder of the human
capacity to regroup, to
accept a bitter past and
anticipate a better
future”</em></strong>
Vanity Fair<br>
<br>
15: strong language, sexual
threat, injury detail, sex,
addiction references</span></div>
</td>
</tr>
<tr mc:repeatable="repeat_2"
mc:repeatindex="2">
<td
style="border-collapse: collapse;" valign="top"> <img
src="https://mcusercontent.com/481366d61828cfc0003c856c2/images/a771c0c7-fe79-db37-e166-7f4c0b7e236c.jpg"
alt=""
style="margin: 0;padding: 0;max-width: 260px;border: 0;height: auto;line-height: 100%;outline: none;text-decoration: none;display: inline;"
moz-do-not-send="true"
width="260" border="0">
<div
style="color: #505050;font-family: Arial;font-size: 14px;line-height: 150%;text-align: left;">
<h4 class="h4"
style="color: #202020;display: block;font-family: Arial;font-size: 22px;font-weight: bold;line-height: 100%;margin-top: 0;margin-right: 0;margin-bottom: 10px;margin-left: 0;text-align: left;">The
Room Next Door</h4>
<span style="color:#000000">(12A)
107 mins<br>
Director: Pedro Almodóvar<br>
Cast: Tilda Swinton,
Julianne Moore, John
Turturro, Alessandro Nivola<br>
Watch the trailer <a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=5902b4cc69&e=5e77b5da1b"
target="_blank"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">here</a><br>
Read the BBFC report <a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=024bcf38e1&e=5e77b5da1b"
target="_blank"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">here</a><br>
<br>
Longtime friends Martha and
Ingrid have drifted apart,
living different lives as a
war journalist and an
author. Following a terminal
cancer diagnosis, Martha
reaches out to Ingrid, but
with a stipulation - that
Ingrid is nearby when Martha
takes a euthanasia pill.
While Ingrid wonders why
Martha didn’t choose someone
closer to her, she agrees.<br>
<br>
Martha says she will always
leave her bedroom door open,
except when she takes her
pill. The two reconnect by
discussing memories,
interest, and a past love,
but skirt around Martha’s
situation. As they reflect
on their lives and
mortality, their
relationship strengthens,
and Ingrid hopes to find a
way to articulate everything
before Martha’s door shuts
forever.<br>
<br>
Adapted from the novel <em>What
Are You Going Through</em>
by Sigrid Nunez, and winner
of the Golden Lion at the
Venice Film Festival, Tilda
Swinton and Julianne Moore
give emphatic performances
in this drama from renowned
director Pedro Almodóvar,
who handles the subjects of
death and euthanasia with
thoughtful consideration.<br>
<br>
<em><strong>“Almodóvar’s
discourse on death is
teeming with life.”</strong></em>
Total Film<br>
<br>
<strong><em>“The Room Next
Door isn't a weighty
philosophical work – as
mature as it is, it
still has glimmers of
cheeky humour and campy
melodrama. But it
develops into a sweetly
heartfelt reflection on
ageing…”</em></strong>
BBC<br>
<br>
<strong><em>“The movie is
all about death, yet in
the unblinking honesty
with which it confronts
that subject, it’s
powerfully on the side
of life.”</em></strong>
Variety<br>
<br>
<strong><em>“a substantial
achievement”</em></strong>
Screen International<br>
<br>
12A: infrequent strong
language, drug misuse,
moderate threat, upsetting
scenes</span></div>
</td>
</tr>
<tr mc:repeatable="repeat_2"
mc:repeatindex="3">
<td
style="border-collapse: collapse;" valign="top"> <img
src="https://mcusercontent.com/481366d61828cfc0003c856c2/images/740b2096-f905-f8bf-3271-508ccbf2bb2a.jpg"
alt=""
style="margin: 0;padding: 0;max-width: 260px;border: 0;height: auto;line-height: 100%;outline: none;text-decoration: none;display: inline;"
moz-do-not-send="true"
width="260" border="0">
<div
style="color: #505050;font-family: Arial;font-size: 14px;line-height: 150%;text-align: left;">
<h4 class="h4"
style="color: #202020;display: block;font-family: Arial;font-size: 22px;font-weight: bold;line-height: 100%;margin-top: 0;margin-right: 0;margin-bottom: 10px;margin-left: 0;text-align: left;">Since
Yesterday: The Untold Story
of Scotland's Girl Bands</h4>
<span style="color:#000000">(15)
94 mins<br>
Director: Carla J Easton,
Blair Young<br>
Narrated by Carla J. Easton<br>
Watch the trailer <a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=0558f2d6bc&e=5e77b5da1b"
target="_blank"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">here</a><br>
Read the BBFC report <a
href="https://screenmachine.us2.list-manage.com/track/click?u=481366d61828cfc0003c856c2&id=8222107815&e=5e77b5da1b"
target="_blank"
style="color: #336699;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">here</a><br>
<br>
The McKinleys, The Ettes,
Strawberry Switchblade,
Sophisticated Boom Boom,
Twinsets, His Latest Flame,
Sunset Gun, Lungleg, Pink
Kross, Sally Skull, Hello
Skinny and The Hedrons. <br>
<br>
Ignored by the industry and
deprived of the global
success afforded to the
male-dominated bands of the
day, <em><strong>Since
Yesterday: The Untold
Story of Scotland’s Girl
Bands</strong></em> is a
celebration of the women and
the music of yesteryear, and
a rallying cry to the female
talent of tomorrow.<br>
<br>
Blending personal anecdotes
with a scrapbook-style
audio-visual aesthetic, <strong><em>Since
Yesterday</em></strong>
takes you on a
decade-by-decade adventure,
crafting the ultimate visual
mixtape. Discover unheard
demos, lost archives, and
rare performances that
celebrate the Game Changers,
Trailblazers, Popstars, Post
Punks and Pioneers who never
compromised, and
subsequently got lost in
time. <br>
<br>
The film takes a critical
look at the barriers women
have faced making music in
the past, and still face
today. It asks how we can
inspire young women to make
music, if those who do so
are continuously erased from
our cultural history.
Written and narrated by
award-nominated musician
Carla J. Easton, this is a
powerful global story told
through a local lens. <br>
<br>
<em><strong>“This
fascinating documentary
highlights a sexist,
London-centric music
industry”</strong></em>
NME<br>
<br>
<strong><em>“Carla J. Easton
and Blair Young team up
to tell a vibrant but
enraging story of the
great girl bands from
Scotland that should be
on teenage bedroom walls
across the country but
aren't”</em></strong>
The Skinny<br>
<br>
<strong><em>“a smash hit”</em></strong>
The Herald<br>
<br>
15: strong language</span></div>
</td>
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</tbody>
</table>
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